American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".  Related Paintings of Thomas Eakins :. | Letitia Wilson Jordan | Clara (san40) | Pushing for Rail | Coral Jewelry | Portrait |
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HORENBOUT, Gerard
Flemish Northern Renaissance Painter and Manuscript Illuminator, ca.1465-1541 Painter, designer, scribe and cartographer. He may have been the pupil of Li?vin de Stoevere ( fl 1463), the only painter of the five artists who guaranteed his admission fee into the guild of painters and illuminators in Ghent in 1487. Horenbout became a versatile and productive artist, painting altarpieces, portraits and illuminated manuscripts and designing tapestries and stained-glass windows. He also collaborated with the nuns of the convent of Galilee near Ghent in making a model garden with flowers made of cloth that he delivered to Margaret of Austria, Regent of the Netherlands, at her court in Mechelen. He seems to have achieved a degree of wealth commensurate with his output: in 1503 he acquired a house
WET, Gerrit de
Dutch painter, Amsterdam school (c. 1616 - 1674, Leyden)
Abraham Bosschaert
(1612-1643) was a Dutch Golden Age painter. Bosschaert was born in Middelburg. According to the RKD he was a member of the Bosschaert dynasty. Like his father Ambrosius Bosschaert and older brothers, he signed his works with a monogram; AB, but this was only discovered in 1992. His older brothers Ambrosius Bosschaert II and Johannes Bosschaert were his first teachers after the death of his father in 1623, but he also took lessons from his uncle Balthasar van der Ast in Utrecht from 1628-1637. In 1637 he moved to Amsterdam, but by 1643 he had returned to Utrecht, where he was buried on April 4th, 1643.